Set Design
Theatre includes: Sunny Afternoon, Chariots of Fire (Hampstead Theatre and West End); The Father (Theatre Royal Bath); The Effect, Earthquakes in London (National Theatre); Decade (Headlong); Public Enemy, Wild Swans, The Government Inspector, In the Red and Brown Water, The Good Soul of Szechuan, Generations (Young Vic); In the Republic of Happiness, Get Santa!, Sucker Punch, Cock, My Child (Royal Court); Love and Information (Royal Court/New York); Game, When the Rain Stops Falling, Judgement Day (Almeida Theatre); King Lear (New York); Six Characters in Search of an Author (Chichester Festival Theatre/West End); Everybody Loves a Winner (Manchester International Festival); The Wonderful World of Dissocia (Edinburgh International Festival/Royal Court); Red Demon, The Bee (Young Vic/Japan); Trade (RSC/Soho Theatre); Guantanamo: “Honor Bound to Defend Freedom” (Tricycle Theatre/West End/New York / San Francisco).
Opera includes: La Fanciulla Del West, Turandot (ENO); Il Trittico (Royal Opera House); Anna Nicole (New York/Royal Opera House); Carmen (Salzburg Festival); The Death of Klinghoffer (Edinburgh Festival/Scottish Opera).
Dance includes: Tenterhooks (Canadian National Ballet); Awakenings (Ballet Rambert); Frame of View (Cedar Lake, New York).
Miriam was the overall winner of The Linbury Prize for Stage Design in 1999, and received the Evening Standard Theatre Award in 2010 for Best Design for Earthquakes in London and Sucker Punch.
She trained in costume design at Akademie für Kostüm Design in Hamburg and in theatre design at Central Saint Martin’s, London.